![]() and many serenades, cantatas and various pieces of church music.” His activity was so intense that he earned the admiration of the citizens of Busseto and the patronage of Antonio Barezzi, a wealthy merchant and president of the local philharmonic. Between the ages of 13 and 18, as he himself wrote, he composed “a motley assortment of pieces: marches for band by the hundred, perhaps as many little sinfonie that were used in church, in the theater and at the academy. ![]() During that time Verdi would return to Le Roncole on Sundays for his duties as organist at the parish there. After lessons with Pietro Baistrocchi, the organist in Le Roncole, he continued his studies in Busseto: Ginnasio under Pietro Seletti, and music under Ferdinando Provesi, who was maestro di cappella at San Bartolomeo, and served as director for the local music school and philharmonic society. The son of Carlo Verdi, an inkeeper, and Luigia Uttini, Giuseppe Verdi showed an unquestionable talent for music at an early age. Weinzierl-Waechter, Elisabeth und Edmund.On January 21, 1901, Verdi suffered a stroke and died six days later. A year later, his Quatro pezzi sacri premiered in Paris. In 1897, Giuseppina Verdi died and the composer thereafter lived at the Grand Hotel in Milan, finding companionship with retired soprano Teresa Stolz. In these later years, Verdi also worked to found a hospital and, in Milan, a home for retired musicians. Critical opinion has it that his last three operas are his finest, that the elderly composer became bolder and more imaginative in his later years. One more opera came from his pen, Falstaff, in 1893, which scored a stunning success. His next opera, Otello, came finally in 1886, Verdi working slowly and getting sidetracked revising earlier operas. His String Quartet (1873) and Requiem (1874) showed his creative juices were still very much alive. Its Cairo premiere in 1871 was a success, but the composer then gave up opera, at least for a time. Having relocated to Genoa, Verdi composed Aida in the years 1870-1871. Petersburg, Verdi's La forza del destino premiered in 1862 and Don Carlos in Paris in 1867. After an extended excursion to Paris in 1853, Verdi returned to Busseto and turned out Simon Boccanegra (1857) and Un ballo in maschera (1859), both embroiling him in politics, an activity in which he was already immersed, since he served in the local parliament and later in national parliament as senator. Rigoletto (1851) and Il trovatore (1853) were instant successes, but La traviata (1853) was a disappointment at its premiere, though a year later, with minor revisions, it was warmly received. ![]() In the period 1851-1853, the composer wrote three of his most popular operas. Macbeth, Luisa Miller, and other operas came in the 1840s, most with great success.Īround 1847, Verdi developed a relationship with soprano Giuseppina Strepponi and the two lived together for many years on Verdi's farm, Sant'Agata, before finally marrying in 1859. (Their two children had died in the previous two years.) Stunned and depressed, the composer struggled on to rebound with Nabucco (1842) and I lombardi (1843). Worse, Verdi's wife died during its composition. It was a success, though his next effort, Un giorno di regno, was an abject failure. Having achieved publication of some songs, he moved to Milan in 1839 and composed his first opera, Oberto. He returned to Busseto and married Margherita Barezzi in 1836. Beginning in 1832, he studied privately with Vincenzo Lavigna in Milan, after the Conservatory there turned him away. ![]() By age 15 he had become an assistant church organist and had already started composing. He moved to Busseto in 1823 and began study the following year with Ferdinando Provesi. Around this time he was given an old piano, which he quickly learned to play with proficiency. Verdi showed talent by the age of seven and even played organ at a local church. In the end, both Verdi's popular vein - as heard in the operas Rigoletto, Il trovatore, and La traviata - and his deeper side - found in Aida, Otello, and Falstaff - demonstrate his mastery and far-reaching development of Italian opera. Partisans see him as at least the equal of Wagner, even though his style and musical persona were of an entirely different cast. Verdi, however, took the form to new heights of drama and musical expression. When he arrived on the scene some had suggested that effective opera after Rossini was not possible. Giuseppe Verdi was to opera in the Italian tradition what Beethoven was to the symphony. ![]()
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